Impact Soundworks interview
If you're going to do something, be passionate about it! Not only is life too short to do things that you're not passionate about, but the result will always be better if you really care.
Richard Chance interview
Composing for media is a high pressure job. It requires creativity on demand, on somebody else's deadline, and you need to make it sound as near to perfection as possible.
Vangelis Al Jazeera interview
The internationally celebrated Greek composer talks about the role of music in times of chaos, crisis and uncertainty.
Embertone interview
Stay up late, eat tacos (with fresh ingredients), drink coffee to stay alert, and take ping pong breaks at least once an hour. Honestly, this has been our formula for success so far.
Tanuj Tiku interview
Don’t be afraid to say no to a project if it does not make sense to you. Follow your instinct. You may end up in a limbo on a bad project with random people.
Scoring Signs with James Newton Howard
James Newton Howard scoring Signs.
Creating orchestral percussion grooves with samples
Tutorial on creating and processing percussion grooves with samples.
The Sound and Music of “The Fighter”
In this 50-minute discussion, we are led through the creative process by Supervising Sound Editor/Designer Odin Benitez, M.P.S.E., Re-Recording Mixer Myron Nettinga, and Re-Recording Mixer John Ross, C.A.S. The... Read More...
The Music of “127 Hours” with A.R. Rahman
The SoundWorks Collection talked with composer A.R. Rahman about his second collaboration with Director Danny Boyle on “127 Hours” following their Oscar winning film “Slumdog Millionaire”.
https://vimeo.com/... Read More...
DP/30: Unstoppable, sound editor Mark P. Stoeckinger
Mark P. Stoeckinger is up for an Oscar for Tony Scott's train epic, Unstoppable. He talked to David Poland about his work on the film.