The sound of Australia
In this podcast Baz Lurhmann explains the importance of sound.
The Sound of The Hunger Games
Author Suzanne Collins’ best-selling novel “The Hunger Games”, is the first in a trilogy that has over 16 million copies in print in the United States alone, has developed a massive global following.
The Sound and Music of the Girl With the Dragon Tattoo
In this SoundWorks Collection exclusive we talk with Composers Trent Reznor and Atticus Ross, Sound Re-recording Mixer Michael Semanick, and Re-recording Mixer, Sound Designer, and Supervising Sound Editor Ren Klyce.
Game Sound Con – TAS readers get a special discount
Receive $50 off registration with code, SPOTLIGHT Earlybird Registration runs through September 28 GameSoundCon San Francisco is a two- day conference for composers, sound designers, recording professionals and others who want to learn what it takes to be successful in the growing video game industry.
Blizzard is looking for Senior Sound Designer
Blizzard Entertainment's sound department is looking for a senior sound designer to work on Diablo III. The ideal candidate will need to have extensive experience in sound design and implementation tools and wi... Read More...
The Sound and Music of War Horse
From director Steven Spielberg comes “War Horse,” an epic adventure for audiences of all ages. Set against a sweeping canvas of rural England and Europe during the First World War, “War Horse” begins with t... Read More...
Composer Interview Tony Morales
Tony Morales takes some time to chat about his recent Emmy nominated score for Hatfields & McCoys, which he co-composed with John Debney. Tony explains the research that went into the music in finding the style of the setting and era through instrumentation.
Jure Peternel interview
Your limitations create your sound, that’s for sure. Be open minded, don’t be afraid to experiment and the most important, pleasure comes first!
Cleveland Bledsoe Jr. interview
Every project should be a learning experience, whether it is good or bad. I had a client who had nothing bad to say about a piece I wrote and I was blown away.
Composer Interview Anton Sanko
Emmy winning composer Anton Sanko shares some insight behind his score for The Possession. The composer is no stranger to the genre with amazing work on film like The Last Winter. He shares his approach and we chat about the challenge of humanizing characters while still achieving the goal of thrilling the audience.