William Friedkin, Steven Spielberg’s Sound Designers Gary Rydstrom and Randy Thom, and Hitchcock biographer Donald Spoto look at the maestro’s use of sound to create chills in his films.
Never ever lose sight of why you became a musician first. Work in this business for any length of time and you’ll start to forget the reason for getting into it to begin with. That’s suicide, as far as I’m concerned.
Every project should be a learning experience, whether it is good or bad. I had a client who had nothing bad to say about a piece I wrote and I was blown away.
Don’t be afraid to say no to a project if it does not make sense to you. Follow your instinct. You may end up in a limbo on a bad project with random people.
In this 50-minute discussion, we are led through the creative process by Supervising Sound Editor/Designer Odin Benitez, M.P.S.E., Re-Recording Mixer Myron Nettinga, and Re-Recording Mixer John Ross, C.A.S. The... Read More...
The SoundWorks Collection talked with composer A.R. Rahman about his second collaboration with Director Danny Boyle on “127 Hours” following their Oscar winning film “Slumdog Millionaire”.
https://vimeo.com/... Read More...