Pedro Ferraz interview
I guess the most important thing is for you to get emotionally involved with sound and music you make. ~ Pedro Ferraz
Gregory Tripi interview
As far as breaking into the business I think more than anything you have to write music and get it out there.
Jim Dooley interview
I would recommend that young composers work with seasoned composers. The apprenticeship program gives you a chance to see how the pros do it. If you make yourself indispensable to someone, there’s a great chance that work will make its way to you over time!
The Sound of Tomorrowland
In this exclusive SoundWorks Collection sound profile Sound Designer Kyrsten Mate and Re-recording Mixer Gary Rydstrom from Skywalker Sound talk about their work on Tomorrowland directed by Brad Bird.
SoundWorks Interview – Beau Willimon & Composer Jeff Beal (House of Cards)
Soundworks Collection interviews Beau Willimon and Jeff Beal about the music of 'House of Cards'
The Music of League of Legends
Watch as the Riot Games music team forges orchestral sagas for the League of Legends universe through passion, collaboration, and the pursuit of creative harmony in the documentary Frequencies.
Reinhold Heil interview
Try to have a broad spectrum of skills. That includes sound generation, mixing, and use of computer programs. ~ Reinhold Heil
Jason Graves interview
People hire you because you have some kind of unique voice, but you really have to work through a lot of music before that voice starts to emerge. ~ Jason Graves
The Music of The Witcher 3: Wild Hunt
Behind the scenes video of the making of the music for The Witcher 3: Wild Hunt.
Halo 4: Composing A Universe
A documentary exploring the creative and engineering processes involved in making the soundtrack for the game Halo 4.